{"id":58,"date":"2016-07-27T19:18:28","date_gmt":"2016-07-27T19:18:28","guid":{"rendered":"http:\/\/www.timecode.nadirfilms.com\/?page_id=58"},"modified":"2016-07-28T15:46:49","modified_gmt":"2016-07-28T15:46:49","slug":"press","status":"publish","type":"page","link":"https:\/\/timecode.nadirfilms.com\/?page_id=58","title":{"rendered":"PRESS"},"content":{"rendered":"<p>&#8220;La transfiguraci\u00f3n de lo banal es el reto escondido detr\u00e1s de una obra singular y rica como Timecode.&#8221;<br \/>\n\u00c0ngel Quintana para <a href=\"https:\/\/www.caimanediciones.es\/cannes-2016-en-tiempo-real-la-opinion-de-la-critica\/\" target=\"_blank\">Caiman Cuadernos de Cine<\/a><\/p>\n<p>&#8220;Su sentido de la medida contin\u00faa en forma, s\u00f3lo que aqu\u00ed es una medida al servicio de las emociones ocultas, y finalmente liberadas.&#8221;<br \/>\n\u00d3scar de Juli\u00e1n para <a href=\"http:\/\/cortosfera.es\/cortometrajes\/criticas\/ficha\/140\/\" target=\"_blank\">Cortosfera<\/a><\/p>\n<p>&#8220;It\u2019s certainly a unique piece of work (and something of a surprise winner at Cannes) that should appeal to a wide audience.&#8221;<br \/>\nLaurence Boyce for <a href=\"http:\/\/shorts.cineuropa.org\/sh.aspx?t=article&amp;t2=news&amp;did=309855\" target=\"_blank\">Cineuropa<\/a><\/p>\n<p>&#8220;Pese a sus escasos 15 minutos, la pel\u00edcula permite lecturas por capas y un amplio abanico de tem\u00e1ticas.&#8221;<br \/>\nMiguel Mart\u00edn Maestro para\u00a0<a href=\"http:\/\/www.elantepenultimomohicano.com\/2016\/06\/critica-timecode-juanjo-gimenez.html\" target=\"_blank\">elantepenultimomohicano.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;La transfiguraci\u00f3n de lo banal es el reto escondido detr\u00e1s de una obra singular y rica como Timecode.&#8221; \u00c0ngel Quintana para Caiman Cuadernos de Cine &#8220;Su sentido de la medida contin\u00faa en forma, s\u00f3lo que aqu\u00ed es una medida al servicio de las emociones ocultas, y finalmente liberadas.&#8221; \u00d3scar de Juli\u00e1n para Cortosfera &#8220;It\u2019s certainly [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-58","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=\/wp\/v2\/pages\/58","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58"}],"version-history":[{"count":7,"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=\/wp\/v2\/pages\/58\/revisions"}],"predecessor-version":[{"id":144,"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=\/wp\/v2\/pages\/58\/revisions\/144"}],"wp:attachment":[{"href":"https:\/\/timecode.nadirfilms.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}